"When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side…there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.” And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."
"Drunk text me. I want
to be the one you think of
when you can’t think straight."
"I’m not disturbed by the speech itself as much as the fact that McConaughey’s place in our culture affords him the privilege of having a slightly off-kilter personality, almost without criticism. People have (rightly) gushed over Lupita Nyong’o’s touching Oscars speech, pointing out her poise, elegance, and genuinely touching words. But would the same praise have been lavished upon her if she thanked herself in her acceptance speech, and topped it off with a mumbling “all right, all right”? Last year, Anne Hathaway was consistently derided for her “smugness” and overly long acceptance speeches, while no ill comments have been thrown at McConaughey’s shit-eating grin. Kanye West is intense, but his intensity is unfailingly characterized as “ranting,” rather than a lovable personality quirk. Covert sexism and racism are nothing new (obviously), but McConaughey’s effortless swagger only emphasizes that his is the kind of behavior that we only — and even praise — when it comes in the form of a straight, traditionally masculine white male actor."
what it basically boils down to is this:
maaaybe i’m a feminist killjoy and freedom-of-speech oppressor who “can’t take a joke”
or maybe, just maybe
you’re a racist misogynist with a shitty sense of humor who “can’t take criticism”.